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<!--Generated by Squarespace V5 Site Server v5.13.158 (http://www.squarespace.com) on Tue, 21 May 2013 23:19:16 GMT--><feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/"><title>Michaela Ridgway's Portfolio</title><subtitle>Michaela Ridgway's Portfolio</subtitle><id>http://www.afterliterature.org/michaela-ridgway-portfolio/</id><link rel="alternate" type="application/xhtml+xml" href="http://www.afterliterature.org/michaela-ridgway-portfolio/"/><link rel="self" type="application/atom+xml" href="http://www.afterliterature.org/michaela-ridgway-portfolio/atom.xml"/><updated>2013-03-15T04:33:36Z</updated><generator uri="http://five.squarespace.com/" version="Squarespace V5 Site Server v5.13.158 (http://www.squarespace.com)">Squarespace</generator><entry><title>"Why do you live on your own/without any children?"</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/why-do-you-live-on-your-ownwithout-any-children.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/why-do-you-live-on-your-ownwithout-any-children.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T18:17:48Z</published><updated>2011-12-02T18:17:48Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<div></div>
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<div>Bare feet slip into pink Crocs,<br />then, the task of balling her socks<br />which I suggest she bring with her<br />in case of change in the weather<br /><br />to the park. The hallway is dark,<br />crammed with half-seen things&mdash; Daddy&rsquo;s art,<br />Mummy&rsquo;s shoes, the baby&rsquo;s pram.<br />And this new miracle: small hands<br /><br />rolling socks as perfectly<br />as morning surely<br />opens into deepening noon<br />or the sun segues to the moon,<br /><br />the learning of it forgotten.<br />Stuffing her spotty cotton<br />socks in my pocket as we go<br />she takes my hand, and I know<br /><br />love, like water, will find its<br />level; that it all somehow fits<br />together; that it&rsquo;s not so far<br />to the park or the morning star.</div>
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<div><em>**</em></div>
<div><em>Published in Antiphon, issue No. 1</em></div>
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<div>http://antiphon.org.uk/</div>
<div><em><br /></em></div>]]></content></entry><entry><title>Ebbing</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/ebbing.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/ebbing.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T17:59:09Z</published><updated>2011-12-02T17:59:09Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<div></div>
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<div>I longed for you once<br />like the shore thirsts for the sea.<br />Sitting here now, while you sip your tea<br />and I complain that <em>Barthes</em> is far too difficult,<br />I realise I&rsquo;ve been watching the tide&nbsp;slowly</div>
<div>recede &ndash; only without the certainty&nbsp;</div>
<div>that it will turn again.</div>
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<div><em>Published in Moodswing</em></div>
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<div>http://www.poetrymagazines.org.uk/magazine/index.asp?id=119</div>]]></content></entry><entry><title>Close</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/close.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/close.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T17:55:32Z</published><updated>2011-12-02T17:55:32Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<div></div>
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<div>It's like a sauna inside our friendship:<br />there we sit on the smooth slatted shelves,<br />personalities undressed, intimate,<br />accustomed to each others' naked selves.<br /><br />It gets hot in here, but we never sweat<br />the small stuff. Prolonged heat produces great<br />hilarity, I theorise, then stretch<br />yet another tall story out of shape<br /><br />while you flex your intellect. I reveal<br />that my bedroom door and windows vanish<br />while I sleep; that the bus conductress' heels<br />and ruby lips are out of sync. You swish<br /><br />an old jumper from your bag (mine, mended<br />by your hand with an 'invisible' knit)<br />and wordlessly you cup my cheek. When did<br />we get so close? I can't see a single stitch.</div>
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<div><em>Published in Moodswing</em></div>
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<div>http://www.poetrymagazines.org.uk/magazine/index.asp?id=119</div>]]></content></entry><entry><title>Sestina No. 1</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/sestina-no-1.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/sestina-no-1.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T17:54:11Z</published><updated>2011-12-02T17:54:11Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p><strong><br /></strong>&nbsp;<br />Eating sourdough toast, half spread<br />with yeast extract, half pumpkin seed butter,<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;we hover<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; on tall wooden stools<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; (knees not quite touching)<br />an inch or so above your kitchen floor.<br />&nbsp;<br />It&rsquo;s a wet August morning. Backlit fluor-<br />escent rain soaks next-door&rsquo;s lawn, newly-spread<br />over tumbled clods, but it&rsquo;s not touching<br />(not yet) that deeper thirst. <em>I'd better</em><br /><em>go, </em>I think, as Portishead's 'Pedestal'<br />oozes from the radio. I hover.<br />&nbsp;<br />The rain stops. In the distance, gulls hover;<br />ancient creatures move across the seafloor;<br />wobbly feet in rolled-up jeans share rock pools<br />with spiny urchins and starfish&mdash; limbs spread<br />out under a sun the colour of full-fat butter;<br />lovers&rsquo; hands form steeples, fingertips touching.<br />&nbsp;<br />Who&rsquo;d have thought that last week, touching<br />down in S&atilde;o Paulo, I&rsquo;d see humming birds hover<br />and squabble over Honeysuckle buds, drink butter-<br />milk from a cowboy&rsquo;s palm, ride out a flaw-<br />less gallop &ndash; the stillness at its centre spread<br />like sunrise through my chest. Oh! but it&rsquo;s too<br />&nbsp;<br />long since I&rsquo;ve felt so<em> much</em> myself. A heart&rsquo;s tool-<br />kit needs only love shaped in the touching<br />of another heart, I muse, as the sun spreads<br />light across the counter-top and you hover<br />in the doorway of a new thought. The floor<br />rising a fraction surprises me, but<br />&nbsp;<br />earlier, eating toast and pumpkin seed butter,<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; perched on these tall wooden stools,<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp;I do recall a feeling that the floor<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; was not quite touching<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; where it should. Somewhere, high over<br />&nbsp;&nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; &nbsp; the South Downs, the outspread<br />&nbsp;<br />wings of a lone Kestrel, touching<br />nothing but air, throw shadows across a valley floor<br />spread with buttercups and deep red toadstools.</p>
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<p><em>Published in Obsessed with Pipework</em></p>
<p>http://www.flarestack.co.uk/obsessedwithpipework.htm</p>
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<p>&nbsp;</p>]]></content></entry><entry><title>Mulch</title><category term="edselection"/><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/mulch.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/mulch.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T16:54:48Z</published><updated>2011-12-02T16:54:48Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<div></div>
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<div>Families fertilize our lives.<br />Like compost heaps<br />they tend to reek<br />of rotting household matter:</div>
<div><br />that Topless Snog in '85<br />(never&nbsp;<span>ever</span>&nbsp;to be pardoned)<br />those sticky lifelong labels<br />('Brainy', 'Pretty', 'Nutter')<br />sibling scraps (about the latter)<br />the empty wombs, the break-ups.<br /><br />Layer on layer of earthy hurt<br />each stinking heap unique.<br />And us: the worms<br />that keep them turned.</div>
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<div><em>Published in Orbis, Winter, 2011</em></div>]]></content></entry><entry><title>Economics</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/economics.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/economics.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T16:48:03Z</published><updated>2011-12-02T16:48:03Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<div></div>
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<div>This wanting more<br />of what's hard to get requires</div>
<div><br />trade-offs and a knack&nbsp;<br />for picking stock:</div>
<div><br />scarcity is everywhere<br />it roams with choice in packs;</div>
<div><br />where there's scarcity</div>
<div>and choice&nbsp;there are costs.</div>
<div><br />Want, long-boned and lean,<br />hunts alone.</div>
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<div><em>Published in Orbis, Winter issue, 2011</em></div>
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<div>http://www.poetrymagazines.org.uk/magazine/index.asp?id=52</div>]]></content></entry><entry><title>Archive</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/archive.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/archive.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T16:31:23Z</published><updated>2011-12-02T16:31:23Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>&nbsp;</p>
<p>After I finished, you stayed:<br />the darkening room a mess;<br />coiled heaps of celluloid<br />unspooled, and you scooped me up<br />unspliced and uncut; labelled&nbsp;<br />each canister, carefully.<br />While you thought I slept, I watched<br />myself replayed and wept.</p>
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<p><em>Published in Other Poetry, Series 4 no. 4</em></p>
<p><em>http://www.otherpoetry.com/series_IV_issue04.html</em></p>]]></content></entry><entry><title>Somewhere</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/somewhere.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/somewhere.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T16:27:21Z</published><updated>2011-12-02T16:27:21Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>&nbsp;</p>
<p>far away, a bell &mdash; barely audible &mdash;<br />calls across a bright September day<br />from a steeple on an unseen hill<br />where a short-eared owl inspects a new-made<br />&nbsp;<br />sky, neatly tucked along the wide horizon's<br />edge, then flies into the freshly laundered blue &mdash;<br />its shadow moving fast below &mdash; to find<br />sleep in the boughs of an ancient yew.<br />&nbsp;<br />Here, a seagull taps at my window<br />with purpose, braving the broken sill<br />on which it sits; and as the hours grow<br />quietly all about, I hear it still &mdash;<br />&nbsp;<br />that distant bell, a single note; clearer, bright,<br />ringing now across this ink-spilled night.</p>
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<p><em>To be published in the Frogmore Papers, March 2012</em></p>
<p><em>http://www.frogmorepress.co.uk/</em></p>]]></content></entry><entry><title>Carbon dating</title><id>http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/carbon-dating.html</id><link rel="alternate" type="text/html" href="http://www.afterliterature.org/michaela-ridgway-portfolio/2011/12/3/carbon-dating.html"/><author><name>Michaela Ridgway</name></author><published>2011-12-02T16:10:54Z</published><updated>2011-12-02T16:10:54Z</updated><content type="html" xml:lang="en-CA"><![CDATA[<p>&nbsp;</p>
<p>Nose pressed to pillow,<br />she breathes him in: her first man.<br /><br />He smells of campfires after rain,<br />burnt toast, freshly dug peat.&nbsp;<br /><br />Brushing the charcoal from her breasts,<br />she marvels at the sudden roar of piss &ndash;<br />black, no doubt, as molasses;<br /><br />admires the boldness of his line<br />through the bathroom door:<br /><br />a shorter pose,<br />so no time to go too badly wrong;<br />imagines their lives together--<br /><br />what he saves on clothes<br />they&rsquo;ll spend on materials:<br />erasers, A2 portfolios, paper;<br /><br />arguments will erupt over the hairspray<br />- but I&rsquo;ve run out of fixative, he&rsquo;ll whine -<br />and his burnt-to-a-crisp meals<br /><br />but the sex will be great<br />between sheets<br />the indelible grey of a winter sky:<br /><br />there are advantages, she realizes,<br />in technical limitations, her disregard<br />for (absolute) anatomical correctness.<br /><br />---<br /><br />Slipping back into bed with a sigh,<br />he arranges an implied thigh<br />along the length of hers.</p>
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<p><em>Published in Purple Patch</em></p>
<p>http://www.purplepatchpoetry.co.uk/</p>
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